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Nicolas Tennant in Three Kingdoms by Simon Stephens at the Lyric Hammersmith, London (2012) – the play saw its fortunes reversed by blog reviews after being panned by most critics. Photo: Tristram Kenton
Idolizing the “golden generation” of theater critics of the 1950s amounts to neglecting the qualities of more recent critics, believes Andrzej Lukowski. Could the next golden generation be closer than we think?
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