” The Souvenir Part II” is partying like its 2019. Two years after “The Souvenir,” Joanna Hoggs autobiographical tale of a movie trainees toxic relationship with an older guy, topped Sight and Sounds Best Films of 2019 list, its follower is doing the same. Sight and Sound, the BFIs International Magazine, has actually revealed its 50 Best Films of 2021 list, for which over 100 critics and contributors cast more than 1,000 votes for their 10 favorite films evaluating in theaters, at festivals, and online this year– and “The Souvenir Part II” has actually been ranked # 1.
Composed and directed by Hogg, “The Souvenir: Part II” sees Julie (Honor Swinton Byrne) finishing up film school, and channeling her grief over her late sweethearts death into her thesis project. Hogg is the first lady filmmaker who “has topped the Sight and Sound survey two times,” per a press release. “The Souvenir Part II” is up for nine awards at Sundays British Independent Film Awards, consisting of Best British Independent Film.
” Congratulations to Joanna Hogg for topping our survey for a 2nd time, becoming the very first female director to do that,” stated Sight and Sound Editor-in-Chief Mike Williams. “The list that she heads is extensive and colorfully worldwide, and its amazing to see such a plurality of voices being represented– proof if it were required that while the pandemic might have influenced on the way we enjoy films, its not dimmed the sparkle of the people that make them.” He continued, ” The Souvenir Part II is a personal and powerful movie about the art, love, and struggle of filmmaking as much as a story about sorrow and identity, and in a year where so much talk has actually had to do with the struggles and recoveries of the market, its triumph feels particularly apt.”
Four films helmed by ladies made the top 10. Signing up with “The Souvenir Part II” are Céline Sciammas magical realist take mother-daughter relationships, “Petite Maman” (# 2); Julia Ducournaus Palme dOr-winning psychosexual thriller “Titane” (# 5); and Jane Campions “The Power of the Dog” (# 6), which utilizes Western genre tropes to check out harmful masculinity.
Among the other movies that made Sight and Sounds Best Films list are Mia Hansen-Løves appearance at the relationship between life and art, “Bergman Island” (# 11); Maggie Gyllenhaals Gotham Award-winning Elena Ferrante adjustment, “The Lost Daughter” (# 21); Chloé Zhaos much-decorated tale of economic precarity in America, the Academy Award winner “Nomadland” (# 22); and Janicza Bravos Twitter-inspired odyssey, “Zola” (# 25). Emma Seligmans anxiety-inducing “Shiva Baby” and Jasmila Žbanićs picture of the Srebrenica Massacre, “Quo Vadis, Aida?,” likewise made the list, at # 42 and # 50, respectively.
Sight and Sound also announced its 10 Best Series of Year, a list curated by the publications critics and factors. Simply one program from a female developer made the cut: Jac Schaeffers “WandaVision” (# 9). Disney+s flagship MCU series follows Wanda Maximoff (Elizabeth Olsen) as she uses her love of television sitcoms to sidetrack herself, and to eventually work through, her sorrow.
Take a look at Sight and Sounds full Best Films list here, and Best Television list here.
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Two years after “The Souvenir,” Joanna Hoggs autobiographical tale of a film trainees harmful relationship with an older guy, topped Sight and Sounds Best Films of 2019 list, its successor is following fit. Sight and Sound, the BFIs International Magazine, has actually unveiled its 50 Best Films of 2021 list, for which over 100 contributors and critics cast more than 1,000 votes for their 10 preferred movies screening in theaters, at festivals, and online this year– and “The Souvenir Part II” has actually been ranked # 1.
“The Souvenir Part II” is up for nine awards at Sundays British Independent Film Awards, consisting of Best British Independent Film.
Amongst the other movies that made Sight and Sounds Best Films list are Mia Hansen-Løves look at the relationship between life and art, “Bergman Island” (# 11); Maggie Gyllenhaals Gotham Award-winning Elena Ferrante adaptation, “The Lost Daughter” (# 21); Chloé Zhaos much-decorated tale of financial precarity in America, the Academy Award winner “Nomadland” (# 22); and Janicza Bravos Twitter-inspired odyssey, “Zola” (# 25).
